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Dinamo premieres its new baroque typeface with a children’s book for adults

Pam Puck’s paper mache sculptures are funny and vulnerable in equal measure

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Nomint’s incredible stop-motion for WWF is captured on a thermal camera, by “painting with heat”

David Shrigley reveals sleeve art for Hot Chip x Sleaford Mods collab

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Fakepaper’s custom ‘ClipArt’ library for publisher Pli Office is ever-growing

The View From Tokyo: the fascinating origins, and triumphant resurgence, of Risograph in Japan

Smoke and solidarity: Piotr Pietrus documents a protest against Europe’s first Tesla factory

“Be good, but know what good is”

Ayasha Khan’s three-dimensional identity for a technician’s platform draws on model kits and stencil shapes

Diana Markosian captures the bittersweet journey of reuniting with her estranged father

Alex Khabbazi is animating with unusual analogue tools for their tactile, twitchy effects

Discover next year’s emergent aesthetics with Stocksy’s 2025 Visual Trends Report

Elizabeth Goodspeed on untangling credit in design

Business or pleasure? Grilli Type’s new GT Flaire is the “mullet of typefaces”

This photobook chronicles the story of the most photographed person in Australia

This immersive illustrated game reimagines Armenian folklore for the digital age

Hand-bound books, honest stories and photography as evidence: Meet publishing house, Zone6

“Every tiny, mundane experience is cosmic”: Visual artist Ilka Gilvesy avoids the pristine

Jeremy Deller, Studio Dumbar/DEPT® and Adam Rouhana: Grab your tickets for the last Nicer Tuesdays of the year!

That’ll do the TRiC: The studio that feeds off companionship and culture